The book, as a technology for transmitting information, ideas, and concepts across time, is probably one of the top five inventions human beings have ever created. Included in that august list would also be indoor plumbing, penicillin, capitalism, and the internal combustion engine. The book–for all of the handwringing about its position as a technological influencer in Western culture right now–in its current modernist (or post-modernist form, if you will) is not on its last legs.

The novel, a variation of the liquid of ideas the container of the book holds, may indeed be on its last legs, however. The reasons for the death of the novel are many, including the following:

1). Human interiority and curiosity about the internal psychology of other people built the novel, and the deconstruction of that curiosity has led to its destruction.

2). The length of a reader’s attention spans and an audience’s cultural connection to historical material and social references across time go hand in hand. That chain has been breaking for at least the last thirty years.

3). The supremacy of other, more visually compelling media that get across the primary message of interiority to an audience better, e.g., film, TV, and of course, video on the Internet, has combined to beat up the novel.

But remember, even with all this, a novel is just a story placed in the format of a book. From Don Quixote to As I Lay Dying, and from Play It as It Lays to the current list of popular, AI-produced novels featured on Goodreads, the novel has probably gone about as far as it can go within the confines of the medium of the book.

This fact doesn’t mean that stories themselves are dead. Humans have been telling each other stories since the beginning of creation and will continue doing so until creation is wound up. It means that the types of content a book can contain will subtly shift.

Over the next 125 years of the book, the medium won’t die. It’s too resilient for that. But what will happen, I think, is that brave creatives, not trapped by the assumptions of the last 300+ years of Enlightenment novelization and cultural storytelling modes, will take the book itself in completely different directions.

Perhaps even, back to the future to a past–a pre-modern place populated by the works (but not novels) of Homer, Sophocles, Aeschylus, the Old Testament authors, Tacitus, Seneca, and Saint Augustine–where we haven’t been as readers, in the West, in a while.